Canadian photographer Sally Elizabeth Wood, also known as Sally Eliza Wood, was born in Knowlton, Quebec in 1857. As a bourgeois white woman, Wood used her privilege to defy 20th-century gender norms; she received professional training at William Notman’s photography studio in Montreal sometime before 1897, which helped pave the way for her career in Quebec.
Lovestuff is a series that explores what we choose to keep from past relationships, romantic or otherwise. Subjects are asked to select something they have kept from a past relationship and write a note about what they have chosen, the memory associated with it, or the relationship itself. Through these images, the viewer is offered an intimate look into the subjects’ experiences of love, loss, and healing.
The Weimar era in Germany marked the start of the so-called ‘homosexual panic’ as a public paranoid reaction and progressive … Continue Reading The Enlightened Woman: Media Circulation and Lesbian Identity in Weimar Germany – Renata Critton-Papp
“I lost complete control of the message I was trying to send.” 32-year-old, New York-based tattoo artist Rosa Laura posted a five-minute video on their Instagram page, not knowing it would garner worldwide attention and more than 2 million views.
Rivalité féminine, défloration traumatisante ou encore menstruations taboues, notre image de l’adolescence au féminin perdure dans l’inconscient populaire.
In a basement with limestone walls whose surfaces chip and crumble and where new dust makes an appearance each day, Sophia Borowska and Teresa Dorey present sculptures that pose visceral questions and address the body’s memory.
With Pulp is an ongoing body of work informed by queer ecology, a theory that considers environmental studies and queer theory to be deeply interconnected, as both deal with issues of binaries, dualisms, and intimacies between living beings.
In recent years, six of thirty-four of Dutch artist Johannes Vermeer’s paintings have been revealed to actually be the work of his daughter, Maria Vermeer. In this essay, Sophia Perring examines why she has remained unknown to us for so long.
“Beyond the Skin” is a portrait photography series by artist Anling Dunn. It explores and highlights the physical features that are perceived as “shameful” by society.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here’s the final part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. This is the penultimate part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here’s part four.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. This is part three.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here is the second part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Explore the first part here.
