In recent years, six of thirty-four of Dutch artist Johannes Vermeer’s paintings have been revealed to actually be the work of his daughter, Maria Vermeer. In this essay, Sophia Perring examines why she has remained unknown to us for so long.
“Beyond the Skin” is a portrait photography series by artist Anling Dunn. It explores and highlights the physical features that are perceived as “shameful” by society.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here’s the final part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. This is the penultimate part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here’s part four.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. This is part three.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here is the second part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Explore the first part here.
“Consumed Monthly” acts as a reflection on the growing pressure the artist feels by society to have children as they get older.
L’exposition L’Archiviste se présente, à première vue, comme un véritable collage à même les murs du musée McCord, où se côtoient objets et images tirés de la collection du musée et de la collection personnelle de l’artiste. Mais il en est bien plus, Celia Perrin Sidarous y met efficacement en relation l’Histoire et les histoires, l’historique et l’anodin.
Les mouvements de néo-paganisme deviennent de plus en plus populaires. Nina Molto explore leurs liens au féminisme.
“In Nanny, Mamie, Maman…,” McKindsey repurposed her grandfather’s Rolodex as an archive to contain paper swatches of the textures, patterns and imagery found on her old baby fabrics.
Clare Gemima is a former New Zealand based practitioner who now works and resides in New York City.
Il est dans l’air du temps de s’imaginer la fin du monde ; celle-ci, presque tangible lorsqu’on parcourt les titres d’actualité, nous renvoie à notre fragilité, et résonne dans notre imaginaire comme le reflet tordu de notre réalité intérieure.
In an interview with Yiara Online, Concordia artist and Art Education student Anni Rose discusses their recent project, On Tattoos and Belonging. Coupling elegant self-portraiture and biting poetry, Rose reflects on the healing and empowering potential of self-representation.
