Submitted by undergraduate and graduate students from Montreal and abroad, see what upcoming feminist artists are making and crafting today.
Lovestuff is a series that explores what we choose to keep from past relationships, romantic or otherwise. Subjects are asked to select something they have kept from a past relationship and write a note about what they have chosen, the memory associated with it, or the relationship itself. Through these images, the viewer is offered an intimate look into the subjects’ experiences of love, loss, and healing.
In a basement with limestone walls whose surfaces chip and crumble and where new dust makes an appearance each day, Sophia Borowska and Teresa Dorey present sculptures that pose visceral questions and address the body’s memory.
With Pulp is an ongoing body of work informed by queer ecology, a theory that considers environmental studies and queer theory to be deeply interconnected, as both deal with issues of binaries, dualisms, and intimacies between living beings.
“Beyond the Skin” is a portrait photography series by artist Anling Dunn. It explores and highlights the physical features that are perceived as “shameful” by society.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here’s the final part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. This is the penultimate part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here’s part four.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. This is part three.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Here is the second part.
“HOME” is a seven part series addressing the personal impact of the COVID-19 pandemic on the artist’s mental health. Explore the first part here.
“Consumed Monthly” acts as a reflection on the growing pressure the artist feels by society to have children as they get older.
“In Nanny, Mamie, Maman…,” McKindsey repurposed her grandfather’s Rolodex as an archive to contain paper swatches of the textures, patterns and imagery found on her old baby fabrics.
Clare Gemima is a former New Zealand based practitioner who now works and resides in New York City.
In an interview with Yiara Online, Concordia artist and Art Education student Anni Rose discusses their recent project, On Tattoos and Belonging. Coupling elegant self-portraiture and biting poetry, Rose reflects on the healing and empowering potential of self-representation.
Kristy Hoffman is a female boxer aiming for the 2024 Olympics in Paris. Photographer Christine Beaudoin has been following Kristy’s life as a boxer who is at the nascence of her career.
