See what our editors and contributors have to say about events and works being put on today!
Everyone always tells me that “media holds up a mirror to society” or other formulations of that nature. Honestly, dear … Continue Reading Storytelling in Media: D is for Dystopia – BeNjamyn Upshaw-Ruffner
In the spirit of the Halloween season and Megan Fox’s newfound relevance in pop culture, I have re-watched the still-topical—debatable … Continue Reading <strong>Demonic Femininity: Understanding the Queer Feminist Conversation in Jennifer’s Body, 12 Years Later – Isabella Carver</strong>
Link to Mobilize by Caroline Monnet: https://www.nfb.ca/film/mobilize/ Currently based in Tiohti:áke/Montreal, Caroline Monnet, an Anishinaabe and French multidisciplinary artist, explores … Continue Reading Reconstructing Modernity: Montreal’s Expo 67 and Caroline Monnet’s Film ‘Mobilize’ (2015) – Renata Critton-Papp
Asian American and Pacific Islander (AAPI) artists are often left out of the conversation, especially when it comes to representation in the media. “There has been a very long-standing history of invisibility and narrow representation of Asian Americans in media,” says Chriistine Minji Chang, the global executive director of Kollaboration, in an interview with NPR. Kollaboration is an organization that works to create spaces for Asian American musicians. In the spirit of creating space, this article highlights four upcoming and established AAPI artists, as well as their incredible work.
L’exposition L’Archiviste se présente, à première vue, comme un véritable collage à même les murs du musée McCord, où se côtoient objets et images tirés de la collection du musée et de la collection personnelle de l’artiste. Mais il en est bien plus, Celia Perrin Sidarous y met efficacement en relation l’Histoire et les histoires, l’historique et l’anodin.
L’Amant, écrit par Marguerite Duras, décrit la vie d’une adolescente française dont la famille s’est expatriée au Vietnam. Lisez la critique de Nina Molto.
Nina Molto reviews Alexandra Kleeman’s novel “You Too Can Have a Body Like Mine.”
Eva Morrison reviews OPTICA’S “Archi-Féministes!: Contemporary Art, Feminist Theories,” which emphasizes the plurality of feminisms and the meeting point of activism, research, and art history in Canada and elsewhere.
Eva Morrison explores Angeline Meitzler’s “SHE IS,” a digital reconfiguration of the first 100 tweets that used the hashtag #AzizAnsari shortly after he was accused of sexual assault.
yiara magazine 